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About me
Dr. Jakub Stadnik is a sound engineer specializing in film sound restoration. He is employed as a Senior Specialist for Sound Digitization and Restoration at the National Film Archive – Audiovisual Institute (FINA) and serves as an Assistant Professor at the Department of Sound Engineering at the Fryderyk Chopin University of Music (UMFC) in Warsaw.In 2018, he defended his doctoral dissertation devoted to the restoration of sound in pre-war films, based on professional experience gained within the Nitrofilm project conducted by FINA. As part of this project, he co-developed an innovative technology for extracting optical sound from film scans.Dr. Stadnik has participated as an expert in numerous international film restoration projects, particularly those involving complex processes of optical sound digitization and restoration. His work includes, among others, the restoration of the oldest surviving Polish sound film Janko Muzykant (1930) as well as the earliest German sound film, Melodie des Herzens (1929). In addition, he has contributed as an instructor in sound restoration during archival workshops organized by the International Federation of Film Archives (FIAF).The integration of his professional practice with academic activity reflects his commitment to advancing and maintaining the highest standards in sound engineering.Dr. Jakub Stadnik is a sound engineer specializing in film sound restoration. He is employed as a Senior Specialist for Sound Digitization and Restoration at the National Film Archive – Audiovisual Institute (FINA) and serves as an Assistant Professor at the Department of Sound Engineering at the Fryderyk Chopin University of Music (UMFC) in Warsaw.In 2018, he defended his doctoral dissertation devoted to the restoration of sound in pre-war films, based on professional experience gained within the Nitrofilm project conducted by FINA. As part of this project, he co-developed an innovative technology for extracting optical sound from film scans.Dr. Stadnik has participated as an expert in numerous international film restoration projects, particularly those involving complex processes of optical sound digitization and restoration. His work includes, among others, the restoration of the oldest surviving Polish sound film Janko Muzykant (1930) as well as the earliest German sound film, Melodie des Herzens (1929). In addition, he has contributed as an instructor in sound restoration during archival workshops organized by the International Federation of Film Archives (FIAF).The integration of his professional practice with academic activity reflects his commitment to advancing and maintaining the highest standards in sound engineering.
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